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The authenticity bind: being yourself as a competitive edge

June 11, 2014 by Scott Rosenberg

Shaking Man statueWhen we say something is “real,” we usually mean there is something irrefutably solid and constant about it. Reality, as Philip Dick famously said, “is that which, when you stop believing in it, doesn’t go away.” It is the stone you kick when — like Dr. Johnson refuting Bishop Berkeley — you need to escape abstraction for solid ground. And kicking it hurts.

But when it comes to human expression, our sense of what’s real is anything but constant. Our conception of the sound of a “real voice” is in constant flux. This is true not only in terms of actual audio recordings (where Greg Milner’s excellent Perfecting Sound Forever offers a fascinating tour of the changes in technology and fashion across the decades) but also for writing styles, art and design, film and theater, politics, and of course advertising. One generation’s “telling it like it is” becomes the next’s boring countercultural cliche. The revolution will always be commodified.

One key I’ve found to understanding the dynamics of this process is the concept of the authenticity bind. Jefferson Pooley’s essay “The Consuming Self: From Flappers to Facebook” introduced me to this idea. It’s an engrossing slice of intellectual history and cultural criticism, first published in 2010 but still fresh and more relevant than ever. I’m planning on posting a Q&A with Pooley in the near future digging deeper into the whole topic — it’s central to the stuff I aim to cover here. But first I just want to lay out the premise, because it’s worth its own post. (The essay isn’t available as a digital text but you can get a PDF from Pooley’s site here.)

Pooley traces the history of personal authenticity through the lens of a mid-20th-century American intellectual tradition — thinkers such as David Riesman and Christopher Lasch. He outlines “the contradiction that is at the core of the modern American self,” which “could be summed up as: Be true to yourself; it is to your strategic advantage.”

Our culture, Pooley writes, summons us to “embark on quests of self-discovery that promise to affirm our uniqueness”; then the “self-improvement industries and especially advertising” hitch along for the ride, or hijack the quest for their own ends. The same culture also commands us to “stage-manage the impressions we give off to others as the essential toolkit for success” — to cultivate our personal “brands.”

The contradiction between self-promotion and expressive distinction, bound up as it is with a highly adaptive market economy, is in fact self-feeding. That is, the pervasiveness of what might be called “calculated authenticity” leads…to rejectionist forms of authenticity — real authenticity, untainted by the professional smile and the glad hand. These flights to deeper kinds of authenticity are, however, marketed in turn — returned, that is, to the promotional fold. The result can be thought of as an “authenticity bind.”

Choosing to be as Pooley puts it, “instrumental about authenticity” — being yourself because, man, it sells — creates a paradox. It’s like the paradox of the businessperson who learns to meditate on the futility of striving because it helps him close deals. You can make this kind of thing work for a while, but sooner or later it will catch up with you.

The challenge of the authenticity bind might once have been primarily of concern to celebrities and public figures. But the growth of online culture and the rise of Facebook — which Pooley describes as a “calculated authenticity machine” — have put us all in the same boat.

When I first read “The Consuming Self,” it seemed to me that Pooley had connected some important dots, and begun to give us a handle on how to think more clearly about what it means to “be yourself” online. The essay offers doses of both fear and hope. The scary part is that, if you buy the logic of the authenticity bind, there’s really no way to fully escape it. The hopeful part is that, if you understand how “calculated authenticity” works, at least you won’t be ambushed by it, and you might be able to mitigate it.

In my next post I’ll begin to lay out one path where I see some prospect of transcending the authenticity bind — not wriggling entirely free, but perhaps loosening the ropes a bit.

Filed Under: Features, Project

Whispers and cries: The anonymous-app short-cut to intimacy is a dead end

June 9, 2014 by Scott Rosenberg

Photo by Scott Beale/Laughing Squid

Photo by Scott Beale/Laughing Squid

The promise made by the new anonymous-confession apps — Whisper and Secret — is a paradox: you can be most yourself, they say, when you are expressing yourself anonymously.

Sure you can. You can also be anyone else you want to be.


Both Whisper and Secret have emerged as reactions against the artificial gloss of self-presentation on Facebook. On Facebook, we tend to censor all but the most positive version of our lives. The founders of Whisper and Secret explicitly aim to provide us with a new stage on which we are free to expose more of ourselves, warts and all — and we don’t even have to admit that they’re, you know, our warts.

Here’s how Secret’s founders put it in their launch essay:

Speaking on a stage in front of a mixed audience of family, friends, and acquaintances makes it hard for us to be our most authentic selves. As a result, we tend to share only our proudest moments in an attempt to portray our best selves. We filter too much, and with that, lose real human connection.

We built Secret for people to be themselves and share anything they’re thinking and feeling with their friends without judgment. We did this by eliminating profile photos and names and by putting the emphasis entirely on the words and images being shared. This way, people are free to express themselves without holding back.

And here’s the pitch from Whisper, via a CNET profile:

Whisper is not really about spreading secrets, CEO Michael Heyward insists. Rather, it’s a place where our masks come off. Social media, you see, is the purveyor of our half-truths and outright lies. As is the case with reality television, the typical social network helps people push forward a highly edited version of the truth designed to make them look better — or worse — than they really are. Whisper, then, is intended to be a place where we can be ourselves, where authenticity thrives.

“I don’t want to live in a world where you feel like you can’t be yourself,” Heyward told me.

It’s not just company founders pushing this line. Here is Frederic Lardinois in Techcrunch:

This new breed of apps allows us to be our online selves again — and leaving aside all the other (and very real) concerns around bullying and false gossip, that feels pretty freeing. Google, Facebook and all the other players in this field want to own our online identities and have made us sanitize our feeds. There is some use for that, but it’s only natural that there is a pushback now.

And here is Sarah Buhr, also in Techcrunch:

The rise of anonymous apps like Snapchat, Secret, Whisper and others allow us to be who we really are, not who we want others to perceive us as, online.

Apparently there’s a deep well of authenticity out there, just waiting to be uncorked. All we have to do is sever the connection that Facebook enforces between our self-expression and our names, and the reality geyser will spout.

Of course, the whole point of Facebook, originally, was to create an online space where you shared stuff safely with friends in a way that let you be more “yourself” than you could be on the public Internet. But “friends” gradually lost its meaning, and Facebook became a multi-billion-dollar corporation with a desperate need for revenue that impelled it to deemphasize privacy and favor public posting.

So here we are again. As Facebook did to the Web of yore, so Secret and Whisper aim to do to Facebook.

But what do people actually do with Whisper and Secret? What are the use cases for anonymous social networks? Let’s take them in descending order of value to society:

  • a conduit for whistleblowers
  • a psychic release for the stressed-out
  • a breeding ground for rumors and celebrity gossip
  • a haven for trolls and bullies


From what I can tell, there’s not a whole lot of whistleblowing happening on Secret and Whisper, which is hardly surprising, since these services’ guarantees of anonymity are full of holes, and if you had some serious corruption or violation of public trust to report, you’d probably pick a more effective megaphone.


If you take a look at either of these apps today, you will find they are serving mostly as a sort of open online confessional for users — chiefly teenagers, college students, and twenty-somethings. That puts it in a venerable tradition, including this 1999-era “virtual confessional” and the PostSecret art project, which helped inspire Whisper.

What’s most interesting about browsing both Whisper and Secret today is that neither fully succeeds in breaking through users’ self-airbrushing habit. Secret, for instance, is full of clever Twitter-like banter and jibes (“When I hear Uber I think Deutschland Uber alles”). That might be because, with both apps, posts need to get liked/faved/hearted in order to spread more widely, so you’re encouraged to play to the crowd. Or it might just be because playing to the crowd is an irrepressible human instinct, online or off.

More disturbing is how frequently threats of suicide and other kinds of self-harm turn up. “My life is worthless. I could die tonight and no one would care or even notice. Suicide is getting closer.” That confession crossed my screen during my very first spin with Secret. Since Secret promises to deliver messages from your own contacts, you can’t help feeling some obligation to do more than click on to the next item; yet you’re also pretty much helpless, since you don’t know who to console. (Ofcourse, you can post an encouraging message in response, and you can flag posts and hope that the service intervenes in some way. But the rest is invisible.)

As safety valves for the volatile pressures of the social-media universe, Secret and Whisper could fill a small niche, and maybe even do some good. But they don’t have the luxury of staying small and fine-tuning their human interactions. Both of these services are venture-capital-backed startup companies. That means someone has bet tens of millions of dollars that their products will either make lots of money themselves someday, or be deemed worth acquiring by some other company that’s in the monetizing business.

For users, there is never a good ending to this story. 
The young founders of the anonymity apps may yearn to create networks of honest self-revelation, but they have chosen vehicles that are certain to betray them.

The collective hunger these apps feed is our desire for ways to be intimate and vulnerable together — online, too. That’s what Secret and Whisper are selling. But it’s unrealistic to expect to achieve that in a fully public space; it’s unlikely for it to emerge on a for-profit platform; and it will never fully satisfy us if we don’t connect what we are saying with who we are.

There just aren’t any short-cuts to true intimacy. You can’t download the free version, and you can’t uninstall it with a click. It’s real and precious, and, although you can’t buy it, one way or another, you do have to pay for it.

Filed Under: Features, Project, Uncategorized

Top 10 reasons Huffington Post decided to give Facebook its comments

June 4, 2014 by Scott Rosenberg

The botnet did it.

The botnet did it.

The Huffington Post has announced that it is handing over its entire comments system to those crazy social-graph-heads at Facebook. (The editors made the news public over this last weekend, which tells you something about how much they wanted it to get around.)

This is noteworthy since HuffPo (now owned by AOL) has always talked a proud line about the value and importance of its community. It has invested considerable effort and resources into moderating the flood of reader comments on its high-traffic pages, and has long been a poster-child for the success of that kind of moderation. As you might expect, the site’s devoted user base simply loved the change, haha, JK.

So what gives? Herewith, some speculation, idle rumor, and pure fabrication.

HuffPo is moving its comments to Facebook because…

  • (10) …AOL CEO Tim Armstrong wants Facebook to buy the whole operation, and he’s making nice to Clan Zuckerberg.
  • (9) …HuffPo leadership understands that before much longer, 100 percent of news-site traffic will come as Facebook referrals, so why fight the future?
  • (8) …It’s all a big mistake! Someons in HuffPo operations got phished, lost control of the site’s Facebook account to a botnet in Belarus, and before the editors knew what happened, the switch got flipped.
  • (7) …No, actually, it happened while all the HuffPo honchos were taking naps.
  • (6) …Arianna Huffington woke from a nap and realized that the whole frenzied business of user comments ran counter to her Third Metric ethos of work-life balance.
  • (5) …HuffPo editors were suddenly seized with the epiphany that all the users who post angry diatribes for/against gun control/pot legalization want all their Facebook friends to see every single carefully weighed word.
  • (4) …Obviously, AOL is just protecting its dialup business, the way it always has. (OK, I don’t understand what that might have to do with the commenting platform, and neither do they. It just is.)
  • (3) …The NSA discovered that the entire corpus of 6,472,835,119 comments in HuffPo’s database actually contain an encrypted representation of the Snowden files, set to decode in the event of the whistleblower’s demise. AOL’s lawyers didn’t want any of that.
  • (2) …The Obama birth-certificate forgers who run the Democrat-loving site couldn’t handle the EXPLODING BARRELS OF TRUTH that patriot commenters were smuggling into their socialist, abortionist, homosexual-coddling pages! But they will fail! Even Facebook can’t keep the voices of freedom down!!!!!! !!!
  • (1) …As CTO Otto Toth explained in the Saturday announcement, “At The Huffington Post, we are always thinking of ways to better engage our worldwide audience and create a meaningful community for our readership.”

    But, you know, on second thought, we’ve decided it’s a hell of a lot easier to let another company do the thinking and creating for us.

Filed Under: Features, Project, Uncategorized

Apple: Leave room for “the crazy ones, the misfits, the rebels,” wouldja?

June 3, 2014 by Scott Rosenberg

Yosemite

Yesterday my feeds were full of chatter about translucency. Apple’s big announcement day included some major overhauls to the Mac operating system in its new Yosemite release. The edges of windows, henceforth, will be see-through! Some font will change. Icons, too. Big stuff afoot.

Apple’s marketing act is so well-choreographed at this point that it commands the tech world’s attention — whether there is real news or just the sort of stuff that, long ago, might have been relegated to a technical white paper.

When you are the company that produces most of the devices members of the tech press use every day, that’s understandable. But I’ve learned that every batch of Apple announcements contains some that end up making a difference and others that turn out to be duds — and the calls made by the pundits in the first 24 hours often don’t pan out.

So, as we chew on the incremental improvements and competitive feints that constitute Apple’s seasonal burping up of announcements, there’s a larger story whose thread I hope we don’t lose: As Apple continues to meld iOS (for the iPhone and iPad) with OSX (for the Mac), how will its choices expand or confine users’ creative options?

Apple has always served two crowds: The everyday non-technical user who wanted things to “just work,” and the creative professional who needed the integrated features that only Apple offered. At its very best — with extraordinary products in both ancient times (HyperCard) and the modern era (GarageBand) — Apple found ways to bridge these two worlds. It created simple tools that led users magically toward complexity without ever cramping their style.

In the world of user experience research this sort of thing is called “end-user programming.” That’s when people who can’t write code themselves are given enough power to push a creative tool in new directions — and to share their work.

Because end-user programming mobilizes the innovative energy of a much larger population with more diverse needs than the software-developer crowd, it drives unexpected sea-changes in technology. It is what sparked the adoption of spreadsheets in the ’80s, which turned out to be the early personal-computing business’s first “killer app.” It also catalyzed the initial success of the Web itself: HTML was easy to learn and write yourself; URLs were a simple, universal way to point to other people’s stuff you liked; and “view source” let you see exactly how they did it and try it out yourself.

There are still pockets of this sort of empowered creativity in the world of the Mac. There is precious little of it in the consumption-happy world of iOS. As Apple goes about merging its two universes, it needs to keep that space for “end-user programming” open — not just because advanced users want it, but because it’s where unpredictable innovations grow.

One small indication of Apple’s direction here is the way the new OSX will hide full URLs in Safari’s address bar. This isn’t the end of the world for webheads — a click will reveal the full address path — but it indicates what we can assume is Apple’s aesthetic prejudice: Code is ugly; hide it wherever possible.

On the one hand, sure! (Just let me check a preferences box that turns the full URL back on, please.) On the other, if this is a first step toward deprecating the very idea of a user-accessible Web address, well, that would be bad — not only for those of us who love the Web, but for Apple.

That’s because this prejudice against “http://” is oddly retro; it makes Apple look curmudgeonly. URLs may offend the technophobic among us, but this isn’t the ’90s. We’ve lived with them for a long time. People have grown up with them. Objecting to them is sort of like being pissed off that Interstate highways have numbers instead of names.

Today, the “URLs are gobbledygook” argument is, I think, in the same category as the “people don’t want to scroll” argument or the “people want to own their music on physical media” argument — a vestige of generational prejudice that the march of time will erode. Put them behind a scrim if you must. But leave it translucent!

Filed Under: Features, Project, Uncategorized

Forgot to forget to remember: Google’s identity court

June 2, 2014 by Scott Rosenberg

forgetGoogle shaped today’s Internet for good and ill — first by showing us how links could create authority; then by commercializing those links, which eroded their informational value but generated hefty profits. The company has always been smart about links and code and data but a little uncomfortable around people. From its earliest days, when you couldn’t find any contact information on its pristine site, it preferred algorithms to conversations.

“Put a human face on it,” the social-media gurus tell us today. “No way!” was Google’s answer.

Of course Google evolved. Engineers stepped forward to connect with their peers; other businesspeople were hired to communicate with the outside world. But Google has remained largely impersonal in its self-presentation. (The home-page’s playful Google doodles are an exception that proves the rule.) The company is ill-at-ease with the more ambiguous dimensions of human behavior: It may not be fair to call Google anti-social, but asocial? For sure.

This awkward wallflower is the organization now tasked by the European Union with a most delicate and socially demanding effort: to adjudicate a flood of requests from individuals who will be asserting their “right to be forgotten,” asking to have information scrubbed from Google’s index. On this ill-defined new legal turf — where the human quest for privacy and self-definition runs afoul of the Internet’s relentless connecting of people and information — Google is about to start making a whole lot of close calls in tough-to-figure cases. It’s as if a chess prodigy has been asked to pinch-hit for a social worker.

The “right to be forgotten” has emerged from Europe’s legal and social tradition, which is far more sympathetic to individual autonomy and far less friendly to the privileges of corporations and the media than U.S. norms. That’s unsurprising: Europe is more crowded, has a much longer history, and lacks the American instinct for reinvention-by-moving-west.

How’d we get here? A Spanish businessman, Mario Costeja González, irked by Google’s elevation of an old report of his bankruptcy proceeding, brought suit in the EU to get Google to scrub the link, and won. (And, oopsie, now the whole world is talking about his financial past.) Isn’t this a matter of public record? Sure. Should this guy be able to tell Google not to represent accurate public information about his past? The EU says “yes.”

At first it seems the “right to be forgotten” concept simply pits advocates of press freedom and the virtues of “publicy” (the positive good that comes from openness, transparency and sharing) against believers in privacy. Interestingly, the EU isn’t asking to censor the Spanish newspaper that posted the notice of González’s woes — instead, it has targeted Google’s index. The “right to be forgotten” doesn’t seem to be about deleting the past but about making specific personal information less discoverable.

Such “personal takedown requests” have been with us almost as long as we’ve had a Web. If you’ve been publishing long enough online you have probably already been in Google’s shoes, adjudicating someone’s wish that you somehow tinker with your archives — not to fix an error but to bury some indiscretion or problematic revelation. At Salon we found ourselves regularly in this position from the moment of Google’s ascent at the turn of the millennium, as the search engine resurfaced signatures on recklessly confessional letters to the editor whose authors now had second thoughts. (Paul Ford reports a similar experience from his time working on the Harper’s website.)

These are never simple cases. They offer anything but clearcut choices, and there is no set of consensus practices for dealing with them. (The DMCA takedown request, covering copyright infringement, is a different bird: There, the standard legal drill is, unpublish first and ask questions later.) You must grapple with all sorts of issues. There’s verification: Was the published information accurate? How about what the petitioner is telling you today? There’s motive: Why does the person want to bury the information? Is he or she a public figure or not? Who will benefit? Will anyone be harmed? There’s fairness and empathy: How would you feel if you were in the other person’s position? What’s right here? And what’s kind?

(Mostly, at Salon we were reluctant to tinker with our “back issues” but chose to honor requests from people who persuaded us that leaving their letters up might harm them professionally, emotionally, or even physically. In those cases we “anonymized” the letters, usually by converting their full signatures to initials. That generally did the trick. At Harper’s, they chose to put a “go away” notice on the page for the Googlebot so it wouldn’t index it.)

Now it’s Google’s turn to try to answer these questions. The “publicy” camp would argue that it shouldn’t have to: Surely, González could just go out there and seed the Web with more positive info about himself and bury that unwanted link. (Or hire someone to do that for him.) The EU instead said: It’s not on the individual to fix this, it’s on Google.

I wish I had more confidence in how Google will fare here — not because I fear its motives, but because I doubt its capacity and judgment. The record isn’t great. Back in 2009 Eric Schmidt, Google’s then CEO and now its chairman, set off a news-bomb with this answer to TV interviewer Maria Bartiromo’s privacy question: “If you have something that you don’t want anyone to know, maybe you shouldn’t be doing it in the first place.” The predictable outrage centered on his cavalier arrogance (plus the note of hypocrisy, since Schmidt had been fighting his own privacy battles).

But the real problem with Schmidt’s line was its innocence — its technocratic assumption that human behavior is an equation with inputs and outputs. As if people bent on doing things that are risky or hurtful or shameful or just frowned on by polite society might simply step back and, surveying the incentives, decide “not to do it in the first place.” Problem solved!

Schmidt’s statement presents a binary, “if this then that” way of looking at life. It reeks of a kind of adolescent absolutism. There is no room in it for impulse, vulnerability, or regret. If Google is to deal responsibly with the challenge of the EU’s “right to be forgotten,” it’s going to have to shed this innocence and wade into the deeper waters of grownup life.

Here’s one sign of hope: The company took its own risky step of self-revelation recently in publishing its employee diversity numbers — which, as with so many Silicon Valley icons, turned out to be pretty bad. Unsurprisingly, Google tilts male and white (and to a lesser extent Asian). Good for the folks at Google who went ahead and shared the data. Now they will have to do something about it.

The “right to be forgotten” affair gives Google one more strong reason to diversify its workforce. Thanks to the EU, it’s going to be making decisions about people’s lives and identities — about convictions and bankruptcies, divorces and affairs, claims and counter-claims, rumors and lies.

In this circumstance, as in assembling a jury, the Googlers are really going to want decision-makers with the widest possible range of backgrounds. If they’re going to make good calls, they need to draw on a broad spectrum of experiences — including that one where you stare into your own past and flinch. If the people in Google’s room don’t recognize that feeling, the “right to be forgotten” is going to baffle them, and they will bungle their response.


Other takes

  • Jeff Jarvis thinks it’s an outrage; Paul Ford says, c’mon, just deal.

    Jarvis:

The court has trampled the free-speech rights not only of Google but of the sites — and speakers — to which it links. The court has undertaken to control knowledge — to erase what is already known — which in concept is offensive to an open and modern society and in history is a device used by tyrannies…

    Ford:

We have collectively ceded to Google the right to define our public personas, but it’s a consumer product, not a public trust. By granting the right to be forgotten to its citizens, the EU will allow them to shape their own personas.

  • The always-valuable Danny Sullivan has tons of details on how Google has begun to comply with the EU ruling.
  • “Forgot to forget to remember” is the Mekons’ ingenious reworking (in their song “Amnesia,” from the 1986 album “Rock ‘n’ Roll”) of the title of the old country song popularized by Elvis Presley; their version laments and lampoons popular music’s unwillingness to examine its own past — something it shares with Silicon Valley.

Filed Under: Features, Project

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