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Hope in the universe

September 5, 2002 by Scott Rosenberg

For decades American politics has been trapped in a cycle that benefits no one except the media companies that own TV stations: Politicians felt they had to advertise on TV to get elected (generally they were right). Politicians had to raise enormous sums of money to pay for those TV ads. The money went from contributor’s pockets directly into media coffers, with only a brief stop-off in campaign warchests. Politicians ended up beholden to contributors and devoting much of their energy to fundraising; the electorate got fed worthless “attack ads” and 30-second soundbites; only the TV station owners profited.

Today’s New York Times reports that, glory be, the era of TV political advertising may be beginning to fade:

  The once-overwhelming influence of television advertising on political campaigns is declining, Democratic and Republican leaders say, leading them to embrace aggressively old- fashioned campaign tools like telephone calls and door-knocking in this year’s Congressional elections. While candidates continue to devote most of their resources to television, they say the power of commercials to affect an election’s outcome is being diluted by the glut of cable television stations, the popularity of such commercial-free premium networks as HBO and the anesthetizing frequency and similarity of political advertisements.

If this trend story proves accurate, it could be the best news in a long, long time.

Postscript: In comments a couple of people are saying, “Hey, phone calls, knocks on my door? That doesn’t sound like an improvement.” I disagree. Politics, real politics, is about getting out and talking to people — neighbors talking to neighbors, politicians actually facing the human beings they represent, supporters of candidates trying to persuade voters. This is retail politics, and I’ll take it any day over the wholesale game of TV ads.

Filed Under: Media, Politics

The right vs. the Times

September 4, 2002 by Scott Rosenberg

This summer we saw the New York Times do some superb reporting on the growing debate over whether the U.S. should pre-emptively attack Iraq and topple Saddam Hussein. While Bush and his administration tried to pretend that there was no debate and told the nation to “move along, move along, nothing happening here,” the Times accurately reported, in a series of front-page stories, that there were real divisions both among Bush’s close advisers and among the Republican old guard of foreign policy poobahs who’d advised his father.

Because of this reporting, the Times has come under fire from the right. Conservatives have argued that the Times is wearing an anti-war bias on its sleeve, and twisted the facts to support their case (see Josh Marshall’s careful debunking of the complaint that the Times inaccurately reported a Henry Kissinger position).

I’ve never been very comfortable with the idea, entrenched in the old Times culture, that reporters can become impersonal conduits for the news and completely screen their own biases from their coverage. Reporters are human beings; objectivity is a myth. For all I know the conservatives are right and Times executive editor Howell Raines really does feel that war with Iraq is a bad idea and has let that view shape his paper’s coverage. The Wall Street Journal wears its pro-markets philosophy on its sleeve; Fox News is the most biased major news organization in history; so what? Every news outfit has a tilt that’s shaped by the people who run it and the people who work at it.

The media form a vast ecosystem of information and ideas, and even an institution as powerful as the Times is only one stream. The value of any stream doesn’t lie in its putative freedom from bias but in whether it is contributing something important to the flow — some key piece of information, some perspective or some idea that would otherwise not surface.

What people are missing as they argue pointlessly over the “Is the Times biased?” trope is that the Times has played precisely the role it should — morally and constitutionally — in exposing the rift among Washington’s insiders. It ought to have been the Bush administration’s job, as it contemplates a new war, to spark a public debate, but Bush and his gang dropped the ball. Enter the free press. The echo here is of the Times’ publishing of the Pentagon Papers, its proudest moment, and another time when the right accused it of bias and of betraying the nation. Raines acknowledged this in a recent PBS interview: “As the Iraq debate plays out of a war, I’m hearing a lot of echoes of the early ’60s, when people were saying it was unpatriotic to report the debate over Vietnam… In this kind of reporting, one of the lessons of Vietnam is that it’s important to ask the questions at the front end of the war, not afterwards.”

War is grave business. In a democracy, we don’t and shouldn’t go to war without the people understanding why we’re doing it and what our goals are. If the government fails to set the stage for war, the press has not only a right but a stern duty to step in and ask difficult questions. It’s no surprise that those questions arouse consternation among the “invade first, ask questions later” crowd.

Filed Under: Media, Politics

Devil in the Details

August 15, 2002 by Scott Rosenberg

How can a high-profile magazine like Details have published a piece by a high-profile guy like Kurt Andersen — and not know that the piece wasn’t by Kurt Andersen? Does Stephen Glass walk among us still? Or did someone at Details not, uh, bother to wonder whether that e-mail submission from a well-known writer was a forgery? One thing’s for sure: The details will be fascinating when they come out.

Filed Under: Media

Dowd scores

August 15, 2002 by Scott Rosenberg

After criticizing Maureen Dowd for her column on indie film, it’s only fair for me to note that her tone of short-attention-span mockery was the perfect fit for Bush’s Potemkin-Village-style “economic summit.” Choice description:

  He managed to last for 20 minutes each in four economic seminars at Baylor University. He dutifully scribbled some notes as participants talked, looking as happy as a high school kid in trig class, and bounded out of his chair when Treasury Secretary Paul O’Neill told him he could be excused.

“Yes, well,” a visibly relieved Mr. Bush said, jumping up after an exhausting 18 minutes in “Economic Recovery and Job Creation,” “that’s the life of the president. Always has to go.”

Filed Under: Business, Media, Politics

Whose Talking Points?

August 12, 2002 by Scott Rosenberg

OK, so Salon contributor Josh Marshall‘s Talking Points Memo blog does not have the reach of, say, Time magazine. But it’s still a well-established site by a reasonably widely read D.C. writer. Today Marshall notes that the Washington Post has begun running an online column with the name “Talking Points.” Talking point for Post editors: Time to rethink that.

Filed Under: Media

Celebrity pill pushers

August 11, 2002 by Scott Rosenberg

Good to see the New York Times reporting on how celebrities tout prescription drugs on TV news programming in return for money from the drug companies. Salon readers heard all about this story a month ago in Lawrence Goodman’s piece on the same subject.

Filed Under: Media

Gore’s fire in the belly

August 6, 2002 by Scott Rosenberg

When I read it over my morning coffee, I liked Al Gore’s Sunday op-ed counterpunch to Joe Lieberman’s criticism of his populist, “I’m for the people, not the powerful” rhetoric in 2000. It seems that the Beltway punditocracy did not share the reaction. Slate’s William Saletan cites the piece as proof that Gore “still doesn’t get it.” The piece, Saletan argues, shows Gore hasn’t tamed the pugnacious streak that, according to Saletan, cost him the presidency: “As the 2000 presidential debates demonstrated, his driving imperative is to prove that he’s right and his opponents are wrong.”

The Saletan piece is the kind of classic inside-the-Beltway analysis that, too often, we get, not only from Slate but from the Washington Post and the rest of the political media. Saletan, a smart and insightful writer, seems to have no interest (as Josh Marshall points out today) in even exploring whether Gore was right or not. Right or wrong is irrelevant. Gore is chastised for even caring about whether he was right or wrong. All that matters is tactics. Did Gore find the precise point on the rhetoric dial to press the electorate’s buttons or not? Well, he didn’t win the election, so obviously he didn’t. (Though, actually, he did win a majority of the votes, but Saletan, like the rest of the Beltway world, won’t even think of going there — rehashing the contested 2000 election is so tiresome and unpatriotic in these days of the War on Something or Other.)

Even when viewed purely tactically, it’s not at all clear that Saletan is right to blame populism for Gore’s failure to capture more votes. Consider this L.A. Times analysis: “Exit polling from the 2000 campaign suggests that Gore’s populist appeal neither attracted the working-class voters it targeted nor repelled the more affluent voters that critics believe it alienated. More dramatic was the party’s decline in 2000 among culturally conservative rural voters.”

Gore has his patently obvious weaknesses as a candidate, but they have mostly stemmed from problems of image and failures of consistency. Whenever Gore puts on those populist shoes he keeps trying on, he goes somewhere interesting — somewhere that makes the world of Washington insiders profoundly uncomfortable, but that, in this season of outrage against government mismanagement of the economy and corporate misprision, makes a lot of sense to the rest of the country.

Filed Under: Media, Politics

A Dowd-y view of indie film

August 4, 2002 by Scott Rosenberg

New York Times columnist Maureen Dowd has her fans, but I am not one of them. Her pieces usually read to me like a series of drafts of alternate leads: She keeps trying out one-liners and fine-tuning her jokes, but seems uninterested in actually building an argument. Often she has her finger on the pulse of a narrow spectrum of Beltway (and, lately, Hollwood) insiders; she aggressively distances herself from her subjects via a barricade of wisecracks, but they seem to be the only stratum of society she is actually interested in.

Her piece
today
on Soderbergh’s new “Full Frontal” (which I have not seen, but Stephanie Zacharek reviews here) is actually somewhat more linear than the norm for her; this time, the problem is that her argument — that “indie” does not necessarily equal “good,” or, as she says, “just because something is grainy doesn’t mean it’s cooler” — is about 30 years old. There is nothing novel or innovative in pointing out that being low-budget crude, or art-house obscure, does not in itself render a movie worthy of one’s attention or ticket dollar.
Pauline Kael established this essential critical stance early on in her career, and several generations of critics — myself very much included — grew up accepting it as a given. Cheap movies succeed or fail artistically in much the same ratio as expensive ones. There is no correlation between budget size and quality (or virtue). About the only indictment of big Hollywood movies that does not apply equally to small indie movies is that they squander huge sums of money and cultural attention. When an indie flops, the waste is less egregious.

Filed Under: Culture, Media

Olbermann vs. Coulter

July 31, 2002 by Scott Rosenberg

Our media class has a hard time focusing on more than one subject at a time. Keith Olbermann’s latest column suggests that the media’s (and political elite’s) mad quest to convict Bill Clinton of adultery helped push more important topics — like our vulnerability to terrorist attack — off the national agenda. It’s a great piece: “Ann Coulter didn’t cause Sept. 11… But with hindsight one has to ask why the prospect of a country unprepared for terrorism wasn’t a sexy enough topic for her and the others to use to pound Clinton and the Democrats.” Remember, during Monicamania, any time the Clinton administration decided to do anything in the international sphere — like firing missiles at bin Laden’s Afghanistan training camp — it was accused of pulling a “Wag the Dog” stunt to divert the national dialogue from the more pressing matter of the presidential genitalia.

Filed Under: Media, Politics

Media mogul musical chairs

July 29, 2002 by Scott Rosenberg

No sooner does the news break that Bertelsmann boss Thomas Middelhoff has lost his job than we hear that he is mulling over a job offer from AOL Time Warner. Next: Will departed AOL honcho Robert Pittman be signed by Vivendi, which recently ousted its leader, Jean-Marie Messier? Will Messier, overcoming centuries of Franco-German rivalry, consider an offer from Bertelsmann? When the music stops, will any of these men — who know more about marketing and hype than about media, new or old — be out of a job? Maybe it’s time for some new blood at the top of these companies, since the folks who have run them for the last several years made such a colossal mess.

Filed Under: Media

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