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Three pillars of trust: Links, revisions, and error buttons

June 24, 2011 by Scott Rosenberg

The journalism industry ships lemons every day. Our newsrooms have a massive quality control problem. According to the best counts we have, more than half of stories contain mistakes — and only three percent of those errors are ever fixed.

Errors small and large litter the mediascape, and each uncorrected error undermines public trust in news organizations. In Pew’s last survey in Sept. 2009, only 29 percent of Americans believed that the press “get the facts right.”

Yet the tools and techniques to fix this problem are known and simple. I’ve been working in this area for the last two years. Here’s a distillation of what I’ve learned: three basic steps any online news organization can take today to tighten quality control, reduce errors and build public trust.

    Link generously

    A piece without links is like a story without the names of its sources. Every link tells a reader, “I did my research. And you can double-check me.”

  • Read more on the value of links: In Defense of Links.
    Show your work

    The news isn’t static, and online stories don’t have to be, either. Every article or post can and should be improved after it’s published. Stay accountable and transparent by providing a “history” of every version of each story (a la Wikipedia) that lets readers see what’s changed.

  • Read a longer argument for the value of versioning.
    Or try out the WordPress plugin.
    Help people report your mistakes

    The Internet is a powerfully efficient feedback mechanism. Yet many news organizations don’t use it. Put a report-an-error button on every story: It tells readers you want to know when you’ve goofed. Then pay attention to what they tell you.

  • Get some report an error buttons at the Report an Error Alliance.
    Or use the MediaBugs widget.

Why aren’t these practices more widely adopted? Here are four reasons:

(1) Workflow and tools: In many newsrooms, especially those still feeding print or broadcast outlets, it’s still way too hard to fix errors or add links to a story for its Web edition. And content-management systems don’t yet offer corrections and history tools “out of the box.”

(2) Denial and avoidance: Other people make errors. Many editors and reporters don’t believe the problem is serious, or think it doesn’t apply to them. And most don’t understand how badly their Web feedback loop is broken.

(3) Fear of readers: Many journalists view readers as adversaries. The customer they feel they’re serving is an abstraction; the specific reader with a complaint is “someone with an agenda” whom they have a duty to ignore.

(4) Where’s the money? Many media companies are in financial free-fall. Correction systems and trust-building tools don’t bring in revenue directly, and they eat up product-development time and money.

These are serious obstacles. But journalists will never regain public trust unless we overcome them.

Ask journalists what sets them apart from everyone else sharing information online and we’ll say: We care about accuracy. We correct our mistakes. In a changing media economy that’s challenging the survival of our profession, we need to follow through on those avowals. Otherwise, we shouldn’t be surprised when Pew’s next biennial survey of public trust in the media shows even more dismal results.

[Crossposted from PBS MediaShift Idea Lab. This edition employs all three techniques I mention.]

Filed Under: Media, Mediabugs

Time to bake smart correction tools into news platforms

June 20, 2011 by Scott Rosenberg

[cross-posted from the PBS MediaShift Idea Lab]

A window of opportunity is open right now for online journalists to build accuracy and accountability into the publishing systems we use every day. To understand why this is such a big deal, first hop with me for a minute into the Wayback Machine.

It’s the mid-1990s. Journalists have just arrived on the web. They’re starting sites like Hotwired and Pathfinder, Salon and Slate. They’re doing good work, but also, inevitably, making mistakes. Their customary corrections routine — post a notice in the next edition or issue — makes no sense in the new medium, where stories are just files on servers or data in databases, and fixes can take effect instantly and invisibly.

Editors at the dawn of the web understood they had to be accountable for changes they made to published stories, and so improvised a routine for handling substantive corrections: Fix the problem; place a notice on the story page indicating that you’ve fixed it; and — this step was only taken by extra-conscientious organizations — add a notice to a separate page logging the fact of the correction (and linking to the corrected story).

>p>Fast-forward to the present. The web’s publishing environment is vastly more complex, flexible and elaborate. But when it comes to corrections, virtually every news site still handles things the way we did 15 years ago: Go into the story, often by hand (i.e., by adding to the body of the story text), fix the error, and append a correction notice to the story top or bottom. Then, if your site has a separate corrections-listing page, go into that by hand and add the notice there. Insert any cross-links. Republish the story and the corrections page. And you’re finally done.

The process is cumbersome, to be sure; it’s also not smart. Most publishing systems don’t actually “know” that the story has been corrected. There’s no data stored that distinguishes a corrected story from, say, one that’s been altered in some other way. The typical content-management system software package will track each successive edit or revision to a document, but it doesn’t distinguish garden-variety edits from formal corrections.

For years now, I’ve dreamed of a smarter publishing software tool that would handle corrections intelligently and seamlessly as part of the publishing cycle and editorial workflow, rather than as a clumsy kludge. One goal, certainly, is to make editors’ lives easier. If corrections can be handled with less fuss, maybe news sites will be less reluctant to make them.

But an even more important goal is to give journalists and the public better information about corrections. Once corrections are treated as data, developers can do things with them — say, allow readers to sign up to be notified of corrections for a site, individual story or story category; or create display boxes that automatically link to the half-dozen most recent corrected stories. The ultimate purpose of all this is for news organizations to demonstrate accountability and transparency to a public that views them with sparse and dwindling trust.

Armstrong CMS project

So when I read about the new Armstrong CMS project, I got excited. Armstrong is an effort by the software teams at the Bay Citizen and the Texas Tribune to build a new-model, open source publishing system for local news sites. It’s working off the highly regarded Django content-management framework, funded by a $975,000 grant from the Knight Foundation, and building on existing work already in use at the two sites.

The Armstrong project has a chance to create a new standard for corrections for the entire field of web journalism. I asked Brian Kelley, the Bay Citizen CTO who is a co-leader of the project, whether Armstrong had plans for corrections yet. He suggested that, because many organizations have different needs, Armstrong’s open plug-in and extension options might be the best way to handle the corrections process.

Maybe so. At MediaBugs we certainly plan to explore this route with Armstrong as we have with other partners; our MediaBugs widget and WordPress plug-in are already in use on a handful of news sites.

But there’s a bigger opportunity for the Armstrong community here: They can build a smart correction-handling process into the heart of the tool they’re creating. The best practices in this area are widely understood and agreed upon; why not bake them into the technology? No one, to my knowledge, has done this before in a free, open source publishing system. (If there are proprietary systems that do a better job, I’d love to hear about them.)

Here are the basic features I’d want any corrections tool to provide:

  • Editors should be able to correct published stories by checking a box or clicking a button on an edit screen. If the system has a permissions hierarchy, then managers should be able to enable or disallow the option of making a correction.
  • Editors who are correcting a story are taken to a screen or overlay that lets them enter the text of a correction notice. The software would automatically record the date and time the correction was made.
  • Once the correction notice is entered, the editor is prompted to make whatever edits are required in the story text itself, and to save them. Editors would then have to republish the story, following whatever their site’s routine might be.
  • Ideally, a corrections system like this is part of a larger scheme for tracking and presenting all post-publication changes to each story. The database would record the changes made to a story as part of the correction process in a special way — that is, it would know that this particular revision is not just any old change but a formal correction.
  • Site designers and managers have the option of building a self-updating corrections page that automatically pulls in corrections notices and links back to the corrected stories.

That’s it! None of this is particularly challenging as programming or design work. My experience is that when I describe what’s needed to most developers, they’re not interested — the problem’s too “trivial.” Maybe it is — but not to the editors I’ve talked to, who groan about the pain their software inflicts on them whenever they try to do a correction the right way.

Each time we rewrite the software used to publish news on the web we have another chance to raise the bar for the whole field. I’m crossing my fingers that Armstrong will be the project to make smart corrections a reality.

Filed Under: Media, Mediabugs

Salon’s TableTalk shutdown: What we can learn from the story of a pioneering online community

May 12, 2011 by Scott Rosenberg

Table Talk home page, circa 1999Salon.com Wednesday announced plans to close Table Talk, the online discussion space and community that has operated continuously since Salon’s launch on Nov. 20, 1995. I was involved in Table Talk’s creation and management for its first several years, and when I read the news, I flashed back to my first day at Salon.

As the tech-savviest of a not-tech-savvy-at-all gang of newspaper refugees trying to build a web magazine, I got pulled over by our then-publisher. He’d been tearing his hair out trying to get a group of unruly Cornell students to write the software that would power Table Talk, which was going to be Salon’s big bid for being not just an online magazine but an “interactive” website worthy of the Salon name. Things weren’t going well. “I want you to project manage this,” the publisher said. I thought, “What do I know from ‘project manage’? I’m a critic!” Then I dove in, because, in a startup with six employees, that was what you did.

For me it was the start of a deepening engagement with and affection for the excitement, complexity and pitfalls of building software-powered websites. (Salon itself was lovingly hand-coded then and for several years after.) We got Table Talk launched, sort of, though within weeks we had to ditch the version those Cornell kids had built and start fresh. Said kids took their software and built TheGlobe.com with it, which went on to an impossibly successful IPO at the height of the dotcom bubble before a spectacular flameout.

The original idea was that every Salon article would have a link at the end to a Table Talk thread. The articles would serve, in part, as discussion-starters and then our community would kick the ideas around. It wasn’t a dumb plan — story comments are now a Web standard. But the way we built it, modeled on the experiences some of us had had as members of The WELL, Table Talk was a separate space with threaded discussions that anyone could add. The conversations weren’t tied to the stories very well, and we quickly learned that the community members — who took to the project avidly — preferred to talk about what they wanted to talk about. Salon’s editors and writers rarely hung out in TT, and it didn’t take long before the TT members developed a dysfunctional relationship with Salon’s staff — simultaneously craving our attention and resenting our presence.

So TT went its somewhat separate way from Salon-the-magazine, which soon started running a simple, hand-coded letters to the editor page to highlight actual responses to our stories. Mary Elizabeth Williams, its original and longtime host, managed the discussion space with great love and devotion for years. We all learned a lot about dealing with anonymity and trolls, personal authenticity and online performance art, technical woes and social dynamics.

What we never managed to do was find a way to knit the energy and talent of Table Talk’s remarkable community with the skills and money being invested into Salon.com itself. Instead, Salon tried over and over to find different models for tying community together with journalism. In 1999 it acquired The WELL. In 2002 it launched a blog program. In 2005 it transformed Letters to the Editor into a more web-standard comments feature. In 2008 it launched Open Salon as a modern, social blogging platform.

As a result, Table Talk became, more and more, a separate entity. When we started Salon Premium in 2001 as a paid service that let users see an ad-free site and some premium content, we rolled Table Talk into it: its pages were readable by anyone, but you needed to pay to post. That insured its survival but also assured its marginality. Over the years Salon’s management (which I was a part of until 2007) considered, over and over, whether to shut it down. It generated large numbers of page views from a relatively small number of users and advertisers were not excited by that. Its WebCrossing software was increasingly out of step with the direction the Web was moving in. Yet TT’s community remained close-knit and vibrant. In the wake of this week’s announcement, its members, unsurprisingly, are already trying to figure out ways to continue their conversations after the site’s announced June 10 shutdown date.

I don’t second-guess Salon’s leadership for deciding to end TT today — I might well do the same in their shoes. I do think there’s a lesson here, though, not just for Salon but for all the other enterprises out there today that dream of doing what we tried for so long to do at Salon. (Hi, Arianna; hi, Tina.)

The lesson is simple: Don’t think of “conversation” and “community” as subsidiaries to “content.” They aren’t after-thoughts, add-ons, or sidebars. They are the point of the Web. Here’s how I put it in Say Everything:

[Interactivity] is just a clumsy word for communication. That communication — each reader’s ability to be a writer as well — was not some bell or whistle. It was the whole point of the Web, the defining trait of the new medium — like motion in movies, or sound in radio, or narrow columns of text in newspapers.

Editors and publishers keep crossing their fingers and hoping to find some new platform that reverses this principle and puts them back in the comfortable realm of piping content out to consumers. They think this stuff will finally settle down. But change keeps accelerating instead. Today we are feeding one another stories, passing links around, telling friends what we’re fascinated by or excited about or steamed over. My Flipboard is more useful and interesting to me than the front page of the New York Times (sorry, Bill Keller). The conversation isn’t an after-thought. It’s interesting in itself, and it’s how we inform one another.

So Table Talk is dead: RIP. But Table Talk is everywhere, too — on Facebook and Twitter, all over the blogosphere, and in a billion comment threads. Table talk is what we do online. It’s not what comes after a publication’s stories. It’s what comes before.

BONUS LINK: If you haven’t already, go read Paul Ford’s wonderful essay on the nature of the Web and its fundamental question — “Why wasn’t I consulted?”

Filed Under: Net Culture, Salon

Why journalists should think twice about Facebook

May 3, 2011 by Scott Rosenberg

Facebook's journalism panel: O'Brien, Milian, Zaleski, McClure (photo by George Kelly)


At Facebook last Wednesday night, a panel of four journalists — Laura McClure of Mother Jones, Katharine Zaleski of the Washington Post, Chris O’Brien of the San Jose Mercury News, and CNN tech writer Mark Milian — talked about how they use Facebook as a tool for journalism. What they said was smart. I’d probably do most of the same things were I in their shoes.

But I had a question for them, and I didn’t get called on to ask it, so I’m going to ask it here. The question goes like this: Everything that journalists are doing on Facebook today — engaging readers in conversation, soliciting sources, polling users, posting “behind the story” material — is stuff they could just as easily do on their own websites. So why are they doing it on Facebook?

One answer is obvious: That’s where the people are! Vadim Lavrusik, a journalist who recently joined Facebook to work on its outreach to the media world, said as much. And it’s true: there are millions of people on Facebook, and Facebook makes it convenient to communicate with them. What’s the problem?

I’ll get to that. But there are other answers to the question, too. Many publications find that their interactions with their readers on Facebook are more civil and valuable than those that take place on their own websites. That, they typically believe, is because Facebook makes users log in with their real names and identities. Finally, individual journalists increasingly find it valuable to build their social-media networks as a hedge against the collapse of the institutions they work for. (“Who owns the ‘social graph’ you build on company time — you or your employer?” is one of those fascinating questions that most newsrooms have barely begun to grapple with.)

We can accept that all these answers make solid sense and yet still feel a little uneasy with media companies’ rush to shovel energy and attention into Facebook’s vast human scrum. Here’s where my uneasiness comes from: Today Facebook is a private company that is almost certainly going to sell stock to the public before long. It will have quarterly earnings reports to make and pressure to deliver to investors. It is run by almost impossibly young people who have never had to deal with any business condition other than hockey-stick-curve growth. For the moment it appears to be trying hard to operate as a neutral and open public platform; its constant tinkering and rethinking of the design and functionality of its services can be maddening, but so far have tended to be driven by a serve-the-user impulse.

That won’t last forever. There are plenty of people waiting to cash in on Facebook’s success, and more in the wings, and they will expect the company to fulfill its inevitable destiny — and “monetize” the hell out of all the relationship-building we’re doing on its pages.

This is the landscape onto which today’s journalists are blithely dancing. I understand why they’re doing it, but I wish the larger companies and institutions would think a little harder about the future.

The web itself is the original social network. Why would you ask reporters to connect with your readers on Facebook if you aren’t already encouraging them to do the same thing in the comments on your own website? If your comments have become a free-fire zone, why don’t you do something about it? If you’ve hired a “social media manager,” great — but why didn’t you hire people to manage your own comments space?

By moving so much of the conversation away from their own websites and out to Facebook, media companies are basically saying, “We did a lousy job of engaging readers under our own roof, so we’re going to encourage it to happen on someone else’s turf.”

You could argue that what news organizations are doing is just like telling your friends, “I can’t invite you over for drinks because our place is such a mess. Let’s meet at a bar!” Maybe. Then again, it might be like saying, “We let our neighborhood go to hell and didn’t do anything about it. Time to move to the mall!”

Facebook is on a fantastic roll today. It’s positioned to dominate the next decade of online evolution the way Google and Microsoft respectively dominated the previous two. It can’t be ignored and I wouldn’t suggest doing so. But it’s not the public sphere, not in the way the Internet itself is. It’s just a company. I hope every editor, reporter and news executive remembers that as they try to get their conversations hopping and their links shared.

Photo by George Kelly

Filed Under: Media, Technology

Posting newsroom policies is great — but only a baby step

April 11, 2011 by Scott Rosenberg

Last week I was glad to see Arthur Brisbane, the New York Times’ public editor, call for the paper to post all its policies and standards for news out on its website where everyone can see them. I hope your first thought hearing this matches mine: “You mean they don’t already?”

Brisbane’s column only reminds us how stubbornly most news organizations still cling to their opacity. The Times is relatively forward-thinking about corrections policies, but for it, as for most of our news institutions, public accountability remains more of an aspiration than a way of life.

I agree with Jay Rosen that Brisbane’s suggestion, if implemented, would mark a “major step forward in transparency.” Still, my cheers for Brisbane’s column were muted a bit by its clumsy framing of the challenges the Times and its peers face as they set out to open themselves to public scrutiny.

Brisbane seems to be under the impression that posting a set of policies presents the Times with difficult technical challenges. In reality, the technical and design issues here are nonexistent — posting a bunch of static web pages shouldn’t take the Times staff more than a few days, if not hours. The problems, rather, are organizational: Most institutions are reluctant to expose their inner workings to sunlight. Newsrooms are no different — but they should be. They exist to inform the public and hold powerful people and institutions accountable. They should set an example for those they cover, not just to avoid hypocrisy but also to earn back some of the public trust they’ve lost.

Here is the heart of Brisbane’s proposal:

The Times should step out ahead of its industry peers by creating a reader-friendly portal to its policies on ethics, style and usage, blogging, anonymous sources, social networking and other subjects that readers and journalists care about. I envision a link on the left side of the NYTimes.com home page that would take you to a Journalism Policies page where you could locate topics using a search tool.

A link! A page! Topics that are searchable! There isn’t a content management system in use today that doesn’t make providing such material a snap. The Times probably employs several. Yet Brisbane goes on to assert that “building the portal would require considerable programming time.” Really, it should take zero programming time, a tiny bit of a designer’s time, and a modest amount of editorial time to prepare and organizes the policy pages. That’s it.

The real cost to the organization would lie in the long meetings where editors would have to hash out whether they can really commit, in public, to every avowal of each existing policy. Once you publish detailed policies, as Brisbane points out, you face inevitable “headaches” as the online public begins to compare the paper’s stated policies with its daily practices.

Well, get out the Tylenol. These are the very same headaches that good journalists visit every day on public officials, businesspeople, and everyone else they write about. Goose, meet gander.

By all means, let the Times and its competitors follow Brisbane’s suggestion. But his “policy portal” is a bare minimum, a catch-up-to-the-present move. It’s a small down-payment on the kind of real transparency that we have every right to expect newsrooms to epitomize. News providers should go way beyond spelling out their policies for the public; they should unveil as much of their actual practices and processes as they reasonably can.

One of the tenets of MediaBugs is that there’s value in providing a public, permanent space for discussion and debate about potential errors in news coverage — illuminating a process that has traditionally taken place in the dark. As Brisbane says, this sort of thing provides dividends in trust that journalists today desperately need. It also actively improves the coverage journalists can provide, which should be more than enough reason to do it.

Filed Under: Media, Mediabugs

Bill Keller, defensiveness, and the NY Times’ China-censorship story

March 26, 2011 by Scott Rosenberg

In his latest Sunday column, New York Times editor Bill Keller tries to lay out the Times’ ideals — as distinct from the work of “guerrilla” newsies like Julian Assange and James O’Keefe. Keller’s credo: Verification beats assertion! Correct errors quickly and forthrightly! Who’d argue?

Anyone can embrace these principles; the devil’s in applying them. Of our major news institutions, the Times leads the pack today when it comes to correcting its goofs. It is, I think, the last of our media outlets to accept that the burden of “paper of record” authority means an endless parade of corrections.

But the juxtaposition this weekend of Keller’s self-defense with a particularly glaring Times misstep leaves me with some unsettling questions.

Writing on his Shanghai Scrap blog last week, China-based journalist Adam Minter took apart the Times’ Monday story about electronic censorship in China. The story led with a funny anecdote about cellphone calls in China getting cut off by government censors whenever they utter the word “protest” — even if they’re quoting Shakespeare’s “lady doth protest too much.” The rest of the piece wasn’t about cell-phone monitoring at all, but rather describes a recent tightening of Chinese Internet censorship.

Minter thought the “protest” thing sounded fishy, so he performed an impromptu field-test. He was unable to duplicate the censors’ call cutoff, using three different phrases including “protest”, uttered in succession twice during cell calls to five different recipients in China.

That’s just “anecdata,” sure. But so was the Times’ tale — and if it doesn’t pass this basic sniff test, it shouldn’t be in the paper.

But the story gets messier. On Thursday Minter found a comment on his blog from Jonathan Ansfield, a Times contributor in the Beijing bureau who was listed as one of the story’s contributors. “For the record,” Ansfield wrote, “the contributing reporter’s own tests comport with yours. regrettably his input on the story made little difference.”

Whoa! This doesn’t sound good.

By this morning, the Times had appended an Editor’s Note to the story, explaining that it had failed to mention that the dropped-call anecdotes happened at the Times’ own bureau:

The article did not point out that in both cases, the recipients of the calls were in the Beijing bureau of The New York Times. Because scrutiny of press communications could easily be higher than for those of the public at large, the calls could not be assumed to represent a broader trend; therefore, those examples should not have been given such prominence in the article.

So the Times gets one cheer for dealing with this at all, and dealing with it quickly. But, given the evident breakdown in the editorial process, it also leaves us with a bunch of further questions. We still don’t know exactly what went awry here: How did a solid and important account of Internet censorship get saddled with a misconceived intro about cellphone surveillance — one that not only “should not have been given such prominence” but probably shouldn’t have been published at all? How did the Times’ editorial process override the evident objections of its reporter on the scene?

This is where defenders of the traditional newsroom circle-the-wagons practice pipe up in protest: “What do you guys want? We can’t do our work under a spotlight! Should every editorial argument be aired in public?”

And this is also where reasonable advocates of transparency respond, “Of course not. Not when the system works fine. But when there’s a problem, you owe it to your readers to tell them the whole story of what happened, just as your own reporters would try to tell the whole story of what happened in any other institution that erred.”

One problem is that our newsroom culture still drapes errors in shame instead of handling them as inevitable byproducts of an imperfect business. Keller’s column talks about “taking yourself to the woodshed,” which is, if I recall, the place where you get spanked, or worse.

The Times’ opaque Editor’s Note non-explanation is a symptom of a kind of defensiveness that infects most of our news institutions. Yes, we will correct our errors, say our editors. But first, they insist, prove to us we were wrong! Then, and only then, we’ll grudgingly admit it while doing our best to minimize it. But don’t expect us to tell you the whole story of the process that led to the error — unless it was so scandalous (see: Jayson Blair; Iraq WMD) that we feel we have no choice.

This defensiveness is inevitable; it comes with our humanity. That’s why journalists committed to verification and accuracy need to bend over backwards to counter it.

Keller makes this argument himself in his effort to explain why he considers the “impartiality” of Times reporters to be such an immovable principle. He writes, “Once you proclaim an opinion, you may feel an urge to defend it, and that creates a temptation to overlook inconvenient facts when you should be searching them out.” This is certainly true — and it is why the best opinion columnists make a point of seeking out the the most inconvenient facts and the strongest opposing arguments.

What Keller doesn’t seem to see is that the logic he applies to opinion also holds for fact. Once a news organization proclaims a version of reality, its first instinct will always be to defend it. Trouble is, the defensiveness doesn’t protect the newsroom at all; it actually further undermines the public’s already shaky trust in the journalist’s work. The reader thinks: Why won’t they just tell us what happened? What are they trying to hide?

So now Bill Keller is writing a regular column, and he’s given us his journalistic credo of verification, impartiality and the “business of witness.” Wouldn’t it be great for him to apply those ideals in his own writing about the Times itself? What if Keller used his column to give us forthright, open explanations of how the Times runs off the rails in cases like this Beijing phone-call affair? In other words, not just an editor’s note — an editor’s story.

BONUS LINK: Felix Salmon takes Keller to the, uh, woodshed.

UPDATE: I missed the simple factual error in Keller’s original column, (James O’Keefe didn’t impersonate a Muslim NPR would-be donor, his confederates did). But John McQuaid caught it and filed an error report at MediaBugs. The Times corrected it Sunday afternoon. The paper has let stand a broader misrepresentation Keller made about the O’Keefe affair (NPR exec Shiller, it turns out, offered a derisive description of the GOP via a quote from disaffected Republicans — he wasn’t expressing his own opinion).

Filed Under: Media, Mediabugs

Sting culture and NPR’s capitulation to falsehood

March 9, 2011 by Scott Rosenberg

There is much more to say, but I’m angry, and I want to say this quickly: We’re all on notice now. Keep your eyes open and your ears cocked. Public life is becoming a maze of entrapments, and the press is enabling the deceit.

Yesterday James O’Keefe, the conservative trickster who has previously targeted ACORN and other organizations with fraudulent schemes aimed at exposing what he sees as liberal bias and malfeasance, unveiled his latest act: his confederates impersonated Muslim donors and recorded a meeting with an NPR fundraiser, Ron Schiller. Schiller said some impolitic things, some of which were true, others of which were overstatements, none of which was that different from what you can hear in any bar and on any blog. (Unless you believe nobody has ever charged that there are racists in the ranks of the Tea Party, or that anyone has ever suggested NPR might be better off without the federal funding that conservatives are constantly threatening to cut.)

NPR rejected the bogus Muslims’ bogus contribution, but Schiller’s words got him suspended yesterday. And today we learn that NPR’s CEO, Vivian Schiller (no relation), has resigned too.

In a saner cultural moment, a serial liar like O’Keefe would not be taken seriously by the rest of the media or by a board of directors. Here’s why (courtesy TPM):

Previous tapes by O’Keefe’s group have later turned out to be misleadingly edited, including the video that launched them to stardom featuring O’Keefe posing as a pimp in front of ACORN offices, so it’s worth taking the overall footage with a grain of salt until further details emerge. Last year, O’Keefe’s credibility took another major hit when he reportedly tried to invite a CNN reporter onto his boat to try and seduce her as a prank, an effort that was revealed when one of his own colleagues blew the whistle to the press.

But just as the White House dumped Shirley Sherrod the moment Andrew Breitbart’s doctored video of her supposedly damning admission of racism surfaced, NPR’s board chose not only not to fight but to cave in immediately to O’Keefe’s tactics. By not fighting back, NPR has invited an open season on truth, and ushered us into a new age of mistrust.

You should go listen to O’Keefe’s tapes of Ron Schiller’s statements — first, to see that much of what he said is harmless and reasonable, but more important, to ask yourself whether you have any expertise or standing to determine the recording’s authenticity. How can we possibly trust O’Keefe’s reports when the essence of his technique is deception? Who knows how this recording was edited or doctored? Does the phrase “consider the source” mean anything any more?

Sting operations conducted by law enforcement officials have a dubious record themselves, but at least they require oversight and must meet court standards of evidence. For public actors like Jame O’Keefe, the oversight, we assume, is performed by the media. The press prides itself for serving as truth’s first line of defense, democracy’s bullshit filter. This week it failed in a big way.

The larger problem here isn’t Viv Schiller’s ultimate fate, and it’s not even the final disposition of Congressional funding for NPR — an institution I admire in many ways but which, let’s face it, we’d survive without.

The problem is we are crediting creeps and letting liars take over our public discourse.

This is hardly a partisan concern. Roughly similar tactics caused major headaches for Wisconsin’s embattled Republican governor recently, when he got taken in by a caller impersonating conservative billionaire David Koch. (This led Wisconsin’s legislature to start talking about outlawing prank calls.) Increasingly, public deception carries little apparent cost.

If a James O’Keefe can win attention and scalps by ruses and lies, why should he stop? And does any public figure have a big enough megaphone and a strong enough spine to say to him, “Have you no decency”?

BONUS LINKS: Jeff Jarvis: ” The stations’ interests and NPR’s interests are no longer aligned.”

Ira Stoll points out the irony in O’Keefe’s outfit’s name, “Project Veritas”:

It’d be one thing if NPR were actually taking money from Muslim Brotherhood members announcing they wanted to get more of the Hamas and Hezbollah perspective on American airwaves. And it’d be one thing if journalists were exposing that reality. But that’s not what’s happened here.

Jack Shafer suggests that Ron Schiller was just doing what fundraisers do to butter up donors:

Pardon me if I’m not outraged that 1) a pair of NPR officials hosting potential donors would merrily slag conservatives, Republicans, Tea Party members, and other non-liberals or 2) display temporary deafness when deep-pocketed potential funders say ugly and demented things.

Filed Under: Media, Politics

MediaBugs, now in a WordPress plugin

February 23, 2011 by Scott Rosenberg

Announcing the new MediaBugs plugin for WordPress. It’s for anyone who’s running a WordPress-based site that does journalism and wants readers to know that correcting errors is a priority.

Now adding a MediaBugs “report an error” button to any website that runs WordPress is a super-simple, 30-second process. If you know how to install a plugin, you can do it. (Alas, this will only work with self-hosted WordPress installations — or “WordPress.org” sites — and not with WordPress.com blogs, which don’t run plugins.)

We’ve had a MediaBugs widget that played nice with WordPress for some time now (it’s what I’ve been running here at Wordyard for some time now), but the plugin makes it much easier to add to your site — you don’t need to mess with your theme templates unless, you know, that’s something you enjoy. (Hey, some of us do!)

Here’s what the plugin does: It adds a link to the bottom of every post for users to report errors. The link is customizable — you can use text or an icon or both, and you can edit the text easily, too. When a user clicks on the link, the MediaBugs error-reporting form pops up as an overlay, with the page’s Web address and headline automatically filled in. When the user has filled out the form, the error report gets filed at MediaBugs. (Wanna see? Just click on the little “Report an Error” icon at the bottom of this post!)

If you install the plugin, you can also sign up at MediaBugs to receive an email or RSS notification each time someone reports an error on your WordPress site.

The MediaBugs plugin lives here in the WordPress.org plugin directory. Let us know if you install it — we want to know how it goes!

[Cross-posted from the MediaBugs blog]

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Filed Under: Blogging, Mediabugs

Another misleading story reports that blogs ‘r’ dead

February 21, 2011 by Scott Rosenberg

The technology press has been keen on the “blogging is dead” (or “dying”) meme for some time now, but it’s tough to find actual data or evidence supporting the notion. Blogging, of course, is changing; in the digital world, all is flux. But if you’re going to declare, as today’s New York Times headline does, that blogging is “waning,” it would be good to be able to show a decline in numbers. And that, sadly, is missing from the Times story — which cherry-picks statistics that look very different in their original contexts.

The peg for “Blogging Wanes as the Young Drift to Sites Like Twitter” is a study (here’s the summary) from Feb. 2010 — more than a year ago. The study showed that the number of kids ages 12-17 who are blogging dropped in half from 2006 to 2009 (14 percent report blogging, from 28 percent). The same study showed that the percentage of adults 30 and older who blog rose from 7 to 11 during the same period. Meanwhile, a more recent Pew study, the Times reports, finds that “Among 18-to-33-year-olds…blogging dropped two percentage points in 2010 from two years earlier.”

But if you actually look at that report, you find that, overall, blogging is still growing, not waning at all:

Few of the activities covered in this report have decreased in popularity for any age group, with the notable exception of blogging. Only half as many online teens work on their own blog as did in 2006, and Millennial generation adults ages 18-33 have also seen a modest decline—a development that may be related to the quickly-growing popularity of social network sites. At the same time, however, blogging’s popularity increased among most older generations, and as a result the rate of blogging for all online adults rose slightly overall from 11% in late 2008 to 14% in 2010.

Fourteen percent of online adults are making some effort to write regularly in public! That remains a phenomenal fact; if you’d predicted it a decade ago, as only a handful of visionaries did, you’d have been dismissed as a nut (or maybe a “cyber-utopian”).

So the actual story — which, to be fair, the Times’ article mostly hews to (it’s the headline and lead that skew it more sensationally) — is that blogging keeps growing, but it’s losing popularity among teens.

Social networking is changing blogging. (My postscript to the paperback edition of Say Everything addresses those changes at length.) More of us are using Facebook and Twitter for casual sharing and personal updates. That has helped clarify the place of blogging as the medium for personal writing of a more substantial nature. Keeping a blog is more work than posting to Facebook and Twitter. So I wouldn’t be surprised if, long-term, the percentage of the population blogging plateaus or even declines.

Maybe we’ll end up with roughly ten percent of the online population (Pew’s consistent finding) keeping a blog. As the online population becomes closer to universal, that is an extraordinary thing: One in ten people writing in public. Our civilization has never seen anything like it.

So you can keep your “waning” headlines, and I’ll keep my amazement and enthusiasm.

BONUS LINKS: WordPress founder Matt Mullenweg addresses the story:

At some point you’ll have more to say than fits in 140 characters, is too important to put in Facebook’s generic chrome, or you’ve matured to the point you want more flexibility and control around your words and ideas.

And Anthony DeRosa points out that Twitter isn’t very popular among the teen set either.

Filed Under: Blogging, Media

The road to Web serfdom: Huffington’s free-as-in-beer posts vs. the free-as-in-speech Web

February 15, 2011 by Scott Rosenberg

When you post to Facebook, are you a “serf”? When you write a blog post for a site that doesn’t pay you, are you a “galley slave”?

These are terms that journalists at the New York Times and the Los Angeles Times have recently applied to the content users contribute to various Web sites and services.

The LA Times’ Tim Rutten writes of the business model of the Huffington Post, “You need to picture a galley rowed by slaves and commanded by pirates.”

In the New York Times, David Carr’s column headlined “At Media Companies, a Nation of Serfs” chronicles a Web of companies worth millions and billions — Facebook, Google, Twitter, Quora, Tumblr and, again, Huffington — and notes, “The funny thing about all these frothy millions and billions piling up? Most of the value was created by people working free.”

I resisted the urge to jump on Carr’s column because, though its confused thinking induced much head-scratching, it also contained a lot of sense. Having heard Carr reinforce some of the confusion in a brief NPR Morning Edition spot today, I think I better just say this:

As we talk about the plight of journalists trying to earn a living in a rapidly evolving digital marketplace that has devalued each individual contribution and untied the product bundle that till recently paid the media bills, we need to distinguish between the plight of the journalist in a glutted market and the concerns of the citizen seeking a free voice.

Publishing a blog post at Huffington Post for no pay is nothing like being a galley slave. No whips! No chains! It’s voluntary (as Anna Tarkov argues). You get to sit at home and type out your ideas and get a bunch of people to read them. You may well feel shafted when you realize that Huffington & co. just walked off with $300 million in AOL cash and you didn’t get a cent, but nobody made you give Arianna your words for nothing. Presumably, you gave them because you thought her site was a good place to spread your ideas or your reputation, sell your books or bring some visitors to your own site. (Stowe Boyd looks at the non-financial incentives.)

Maybe you’ll rethink that bargain now. If large numbers of people do, then Huffington and her investors may have just played AOL’s Tim Armstrong for a sucker. (Although, by Nate Silver’s calculations, most of the value and traffic on HuffPo derives from the content produced by paid staffers.) Maybe it would have been smart for Huffington to share some of her plunder with her unpaid contributors (as Dan Gillmor and others have urged); it would have been fair, certainly. But my hunch is the HuffPo bloggers aren’t going to stop writing for free. Most of them like the bargain.

There is a reasonable argument to be made about “serfdom” online, but it doesn’t have anything to do with Huffington’s paycheck-less bloggers. It has even less to do with Google’s search engine, which draws its intelligence from the links we all embed in our Web pages. One problem with Carr’s column is that he conflates all these different services and — like so many content-obsessed journalists — ignores the contributions of the platform-builders and their technology. At Google, as at many of the companies Carr lists, there’s enormous value created by paid employees — but they’re writing code instead of copy.

The aspect of the idea of digital “serfdom” that makes sense has little to do with getting a paycheck for your writing; it’s about control of the platform that delivers your writing and ownership of any (typically meager) fruits from that labor. It’s why many people, like me, choose to buy their own domain name and run their own blog software rather than use one of the free-but-corporate-owned alternatives. It doesn’t take much to have your own fief these days.

Interestingly, this is the point made by the writer from whom Carr borrows the feudal analogy — Reuters’ Anthony DeRosa:

In a perfect world, we wouldn’t have any of these platforms. In a perfect world everyone would have their own piece of the web that they own entirely. … Those tech savvy enough to rent out rackspace, install their own web server and plop down their virtual piece of land on the web control and capitalize on all of the content that they deliver there.

However for most of the people on the web today, this isn’t the case. We live in a world of Digital Feudalism. The land many live on is owned by someone else, be it Facebook or Twitter or Tumblr, or some other service that offers up free land and the content provided by the renter of that land essentially becomes owned by the platform that owns the land.

(I would just add that to emancipate yourself, you don’t need to rent out rackspace and manage your own server; all you need to do is know how to FTP and pay a few bucks a month to an ISP and a domain registrar.)

The argument about “digital labor” is real and valuable and has been unfolding for some time now in the academic wing of the new-media studies world. It’s what Dave Winer has recently been writing a lot about, as he urges us to find an alternative to Twitter and Facebook that we own ourselves.

Professional journalists worried about their salaries in a world awash in posts and “content” have one set of problems; the much larger population of social-media users who ought to be thinking hard about who controls their contributions have a different one. I wish Carr had done a better job of distinguishing between these different realms rather than lumping them together in one big morass of “people working for free.”

As they say in open-source land, there’s free as in “beer” and free as in “speech” — “gratis” versus “libre.” People aren’t going to stop writing “gratis” for Huffington and her ilk, and that will continue to lower the market price of all but the most specialized and rarefied kinds of old-fashioned journalism. Of course this doesn’t make me happy as a writer, but I’m not going to pretend it will stop. For that very reason, those of us who care about our words will need to pay greater attention to the “libre” side of the freedom ledger, and pitch our posts on ground that we own or control.

There are other good posts on this theme from Michele McLellan at the Knight Digital Media Center:

Fretting about unpaid contributors is just another way of grieving journalism’s past. They’re here. They’re on social media. They’re talking. They’re writing. Get over it, journalists, and use the energy to figure out innovative ways to add the unique value of the journalist to the mix.

And Mathew Ingram at GigaOm:

The funny thing about online content, as former eHow owner Josh Hannah noted in contrasting Demand Media’s paid content-farm model with that of free sites like WikiHow, is that you often get better quality content when people write for nothing than you do when you pay them tiny sums of money, as Demand does. In other words, some people are more than willing to write for the recognition and reputation value and sheer passion (or other intangibles) rather than for money. And there will always be media entities like The Huffington Post that take advantage of that.

Filed Under: Blogging, Media

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