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Sonic middle age: Everybody’s happy nowadays

July 13, 2006 by Scott Rosenberg

I’m knocked out, stunned, by the new Sonic Youth album, Rather Ripped. I’m not one of the band’s cultists. Over the years, from the mid-’80s on, I’d hear, from friends who were, that I was missing out: They’d tell me that whatever their latest album was — “Daydream Nation”! “Goo”! — it was the album that would persuade me to join their ranks. I’d listen, feel respect for the legendary New York art-noise band’s work, but never feel like coming back for more.

So I’ve been out of the Sonic Youth orbit for a while. Maybe I missed some transformation or evolution; “Rather Ripped” is incredibly seductive — just melodic enough to engage you, just experimental enough to keep you hitting “repeat.” The guitars shimmer with lanky Lou Reed/Feelies lines; the lyrics are entirely audible; the incredibly tight rhythm section could do this in their sleep, but they’re wide awake. There is a fundamental joy working its way out in this music, in a fully audible way. I am hooked.

In other musical events, the Mountain Goats are slated to release a new album, Get Lonely, next month. But if you are impatient, there is an EP from their Australian tour titled Babylon Springs that is also a fine piece of work. If some of the chord sequences sound a tad familiar, the full-band arrangements are sparkling, the lyrics sharp, the feelings painfully intense.

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Filed Under: Culture, Music